Monthly Archives: May 2012

Ithaka has nothing left to give you now

Dear World,

So yesterday, I moved out of my office at Cornell, took down my printed placard with Mulder and Scully on it, returned half of my library books, and divested the office space of the Cajun and Acadian flags. It’s been a hard back-and-forth for the last two years, driving from Newark, New Jersey to Ithaca, always forgetting what I have to bring, leave behind, what I’m supposed to be doing. In 2008, I began my MFA there, I wrote, and I tried to learn new things. This was the time to do so. Like Cavafy writes, “I hoped the journey to be a long one.”

And it’s over.

But now it’s summer. It’s hot out, and I don’t have to worry about long winters, lack of food options, or the weird competition of a community of writers anymore. In fact, I haven’t had to do those things really since I moved away. But the art of letting go has always been something that lingers for me. I’ll probably visit Ithaca again once more before the summer is over since now I have no pressure to do so. But I also have the next three months to create and train and live.

And though I’ll miss it (and I will miss it, no matter how much I complained about grading or students not understanding why dialogue doesn’t usually need adverbs or why vague poems about “the passage of time” suck or why all confessions are necessarily artificial), I have a new syllabus to look forward to. One filled with my plan of how to truly break in to the world as an artist and with watching supernatural television shows and professional wrestling and reading pop culture criticism.

I checked out a book about the science of The X-Files yesterday, another about fantasy and science fiction novelists responding to Buffy. I bought All-Star Superman by Grant Morrison. I’m watching Lost, Mad Men, and Dollhouse. I learned how to use Spotify. I’m reading poetry by Patricia Lockwood and David St. John. I’m listening to Ben Gleib’s podcast. I’m keeping up with whatever Felicia Day is doing. I have Twitter buddies who are inspiring me with self-publishing and MAKING THINGS HAPPEN. I have a screen press and gouache paints and just bought a new computer. I have all day to train at Yee’s Hung Ga.

Because I’ve extended my childhood for another five years by starting a PhD program, I have this time to create, and for the first time since I’ve finished my MFA, I feel like I can do it.

Last week’s republishing thing was my essay about wrestling. Retweet and share this. Especially to celebrities. And follow me on Twitter. Next time, I’ll write about my new religion of Jean Grey and what that has to do with poetry.

Yours,

Christopher

PS. Here’s Cavafy’s “Ithaka,” sent to me by an amazing poet on the last day Cornell paid me (which was two weeks ago):

As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.

Autoportrait with Choreographed Violence

Dear World,

Republishing Dana Scully Makes it to the Fortress Level was somewhat of a success, though it’s hard to measure how much, since I’ve only installed Google Analytics this weekend. I do know that spamming certain celebrity personalities (so far Mick Foley, Amber Benson, Felicia Day, Tom Morstead, and C.M. Punk) has at least driven up traffic on this site from a whopping 2 on Sunday to 22 yesterday. Go team! None of them have retweeted yet, though Mere Smith (the most excellent tv writer of Angel, Rome, and several others) did.

Up next on the schedule is an essay The Louisville Review published in the Fall of 2009. It’s on professional wrestling.

If you know me, it should be no secret that I am a fan of professional wrestling. And I’m not ashamed of it.

I grew up watching WWF, and in third grade I couldn’t decide whether Razor Ramon or the Undertaker was my favorite athlete when filling out a dumb questionnaire for class. I watched into the attitude era. When I became so literary (or whatever) in high school, I focused on the lofty shit, and became sort of stuck in an elitist backwater where I only cared about reading poststructuralist theory and Russian novels. I fastforwarded to college halfway through the last sentence. When I came back from my Fulbright year in Moncton, New Brunswick, my future wife was housesitting for a friend of hers. I stayed there one auspicious Friday night and the TV (a thing I had in a closet somewhere with no cable) landed on a Friday Night Smackdown. Within five minutes of watching the Undertaker give someone a tombstone piledriver, I felt an excitement that had long been missing from my “studies” of serious things.

I became obsessed, as I do, and caught up that summer on the 25 years of wrestling history that saw Vince McMahon become the dominant CEO of professional wrestling promotion and encompassed all the nostalgia I needed at the time. Knowing of my interest, Luke Wallin, who was going to edit the creative nonfiction section of The Louisville Review, invited me to submit an essay about wrestling. I was just beginning my MFA work at Cornell and had just taken a class with Ken McClane (one of the best people on the planet and an amazing writer). I wrote what I could and these two men refined it into something publishable.

Since then, I’ve continued writing about wrestling, but in a more academic way. In fact, an essay about wrestling just got me into Emory’s Interdisciplinary PhD program. That essay is more sophisticated, and goes much more in depth than the one I’m posting, but The Thrill of Choreographed Violence is an introduction to wrestling to a literary crowd, a brief memoir of being a wrestling fan, and an homage to Shawn Michaels. Enjoy.

Yours,

Christopher

Resurrection Junkie

Dear World,

I am now going to be serious about having a website. In a way. What I’ve done is added two things, with updates to come. The first thing I’ve added is my poem “Dana Scully Makes It to the Fortress Level,” which first appeared in The Southern Review in Fall of 2011. The second thing I’ve added is a Like button for Facebook.

Part of this project is the publicizing of poetry, particularly outside the normal realms of where poetry can be found (i.e. literary journals). Right now, chances are you know me personally if you are reading poetry off of this website. But hopefully through small gestures like sharing poems on this website that entertain you, maybe more people than my parents and in-laws will read my poetry.

If you’re into video, I added a video of my MFA reading from 2010 several months ago.

I have several projects brewing now that my teaching gig at Cornell is almost over. So stay tuned.

In the meantime, follow me on Twitter.

Love,
Christopher